Solo Exhibitions

​

2026 Bailey Doogan: Ways of Seeing, University of Arizona Museum of Art, Tucson, AZ

2026 Bailey Doogan: Close to the Bone, Etherton Gallery, Tucson, AZ

2014 Spill, Etherton Gallery, Tucson, AZ (in collaboration with Ann Simmons-Myers)

2009 Translations, Etherton Gallery, Tucson, AZ

2005–06 Bailey Doogan: Selected Works 1993–2005, Etherton Gallery, Tucson, AZ

2005–06 Bailey Doogan: Selected Works 1971–1998, Tucson Museum of Art, Tucson, AZ

2003 Monotypes, Etherton Gallery, Tucson, AZ

2002 Paintings, Etherton Gallery, Tucson, AZ

2000 Positions, Mary H. Dana Women Artist Series at Rutgers University, New Brunswick, NJ

2000 Positions, Rowe Arts Main Gallery at University of North Carolina, Charlotte, NC

1999 Cloud Series (small paintings with etched glass), Etherton Gallery, Tucson, AZ

1998 A Survey of Drawings, 1988–1998, University of Arizona Museum of Art, Tucson, AZ

1997 Paintings and Large Drawings, Etherton Gallery, Tucson, AZ

1996 Fox Fine Arts Center at University of Texas, El Paso, TX

1995 Paintings and Prints, Etherton Gallery, Tucson, AZ

1995 Beasley Art Gallery at Northern Arizona University, Flagstaff, AZ

1993 Mea Corpa: Paintings and Drawings, Etherton Gallery, Tucson, AZ

1992 Mea Corpa: Large Paintings and Drawings, Alternative Museum’s “Artists of Conscience” series, New York, NY (catalog)

1992 Large Drawings, The Irish Arts Center, New York, NY

1992 Mea Corpa, Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV

1992 Mea Corpa, Sheppard Fine Arts Gallery, University of Nevada, Reno, NV

1991 Large Paintings and Works on Paper, Etherton Gallery, Tucson, AZ

1990 Chairwoman: Works on Paper, Cerro Cosa College, Ridgecrest, CA

1989 Context: Large Drawings and St. Lucy/Oedipus: Paintings and Constructions, Etherton Stern Gallery, Tucson, AZ

1988 Self Portrait Diary: 40 Paintings on Paper, Visual Arts Gallery at Pensacola College, Pensacola, FL

1987 Paintings from Dominican Republic and Ireland, Dinnerware Gallery, Tucson, AZ

1986 Monoprints and Small Paintings on Paper, Etherton Gallery, Tucson, AZ

1986 The Emblematic Woman: Large Figurative Oil Paintings, Gallery 210, St. Louis, MO (three solo exhibitions featuring Bailey Doogan, Claire Prussian, and Joan Semmel)

1986 Colored Figures: Large Oil Paintings, Dinnerware Gallery, Tucson, AZ

1985 Punch & Judy: Paintings and Theatre Box Constructions, Scottsdale Center for the Arts, Scottsdale, AZ

1985 Articulate: Audio and Portrait Installation, Elaine Starkman Gallery, New York, NY

1985 Punch & Judy, Dinnerware Gallery, Tucson, AZ

1984 Articulate, Idaho Art Center at University of Idaho, Moscow, ID

1983 Articulate, University of Arizona Museum of Art, Tucson, AZ

1983 Female Series: Works on Paper, Fresno Art Museum, Fresno, CA

1983–84 Articulate and Two Personal Series, Dinnerware Gallery, Tucson, AZ

1981 Female Series, Joseph Gross Gallery at University of Arizona, Tucson, AZ

1980 Female Series: Works on Paper, Harry Wood Gallery at Arizona State University, Tempe, AZ

1973 Drawings, Memorial Union Gallery at Arizona State University, Tempe, AZ

 

Group Exhibitions

​

2025 The Skin We Live In: Miguel Casco and Ramon Sanmiquel with Artists from the Collections of Dan Leach and Douglas Nielsen, Pima Community College/Pima Arts, Tucson, AZ

2024 The Vault Show: New Acquisitions, University of Arizona Museum of Art, Tucson, AZ

2024 Portraits, Louis Carlos Bernal Gallery at Pima Community College, Tucson, AZ

2023 Can You See Me Now? Painting the Aging Body, Ryan Lee Gallery, New York, NY

2020–21 Unapologetic: All Women, All Year, Scottsdale Museum of Contemporary Art, Scottsdale, AZ 

2020 Of the Flesh, Davis Dominguez Gallery, Tucson, AZ

2019 Face to Face: Self Portraits Before Selfies, Museum of Texas Tech University, Lubbock, TX 

2017 Body Language, Tucson Museum of Art, Tucson, AZ (one drawing from the permanent collection)

2017 Dinnerware Artists’ Cooperative Gallery: The Early Years, 1979–1989, Temple Gallery, Tucson, AZ

2015 Catalyst: Leaving a Lasting Impression, Mentors and Mentees, Lore Degenstein Gallery at Susquehanna University, Selinsgrove, PA

2013–14 A Show of Hands, Tucson Museum of Art, Tucson, AZ

2013 Museum of Texas Tech University, Lubbock, TX (one painting)

2010 Made in Tucson/Born in Tucson/Live in Tucson, Part 1, Museum of Contemporary Art, Tucson, AZ

2009 Masked, School 33 Art Center, Baltimore, MD (eleven artists) (curated by Joan Weber)

2008–09 Drawn: Crossing the Line, McColl Center for the Visual Arts, Charlotte, NC (seven artists)

2008–09 Burning Down the House: Building a Feminist Art Collection, Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, Brooklyn, NY

2007 Eccentric Bodies, Mason Gross Galleries at Rutgers University, New Brunswick, NJ

2003 Drawing Conclusions: Work by Artist-Critics, New York Arts Gallery, New York, NY (one drawing with published text) (traveling exhibition)

2003 Guest List, Gescheidle Gallery, Chicago, IL (invitational)

2003 A.I.R. Exhibition: Six Artists, McColl Center for Visual Art, Charlotte, NC

2002 Holding the Line, Contemporary Drawing Survey, Sheppard Fine Arts Gallery, University of Nevada, Reno, NV (lecture and panel)

2001 9/11/01, Anton Gallery, Washington, D.C. (invitational) (one mixed media work)

2000 Picturing the Modern Amazon, The New Museum of Contemporary Art, New York, NY (catalog)

1999 Degrees of Realism, Bowman/Penelec Galleries at Allegheny College, Meadville, PA

1999 TREATMENT: Women’s Bodies in Medical Science and Art, Dinnerware Gallery, Tucson, AZ (curated by Joanna Frueh)

1999 Tribute, Joseph Gross Gallery at University of Arizona, Tucson, AZ

1998 Artists Invite Artists, Phoenix Gallery, New York, NY

1998 Theatre of Self-Invention: Self Portraiture in Contemporary Art, Speed Art Museum, Louisville, KY

1997–98 Signs of Age: Representing the Older Body, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA

1996 The Figure and its Parts, Beasley Art Gallery at Northern Arizona University, Flagstaff, AZ (two large drawings)

1995–96 Made to Order: America’s Most Wanted Paintings, Alternative Museum, New York, NY (invitational)

1995–96 Nelson Fine Arts Center at Arizona State University Art Museum, Tempe, AZ (invitational) (catalog)

1994–95 Art and the Law, (juried invitational) (traveled to five venues) (catalog)

1993 Exquisite Corpse, The Drawing Center, New York, NY (invitational) (two drawings) (catalog)

1993 International Critic’s Choice, Mitchell Museum, Mt. Vernon, IL (traveled for two years to eight venues) (catalog) 

1992 Paintings and Drawings, J. Claramunt Gallery, New York, NY (six artists)

1992 Drawing: An Invitational, New Mexico State University, Las Cruces, NM

1992 Humans of the Street: Homelessness, Central Arts Collective, Tucson, AZ

1991–92 Artists of Conscience: 16 Years of Social and Political Commentary, Alternative Museum, New York, NY (catalog)

1991 Forces of Eire, The Irish Arts Centre, New York, NY (invitational consisting of ten artists from Ireland and the U.S.)

1991 Text/Context, San Jose Institute of Contemporary Art, San Jose, CA (curated by Kathryn Funk)

1991 Original Sin (drawing), Hillwood Art Museum at Long Island University, Brookville, NY (curated by M.A. Wadden) (catalog)

1990 Phoenix Triennial, Phoenix Art Museum, Phoenix, AZ (an exhibition of sixteen artists from four states, curated by Bruce Kurtz)

1990 Día de los Muertos: The Homeless (Drawing), Alternative Museum, New York, NY (curated by Geno Rodriguez) (catalog)

1990 Act Up Aids Art Auction (one print), 11 East Ashland Gallery, Phoenix, AZ

1990 Belfast/Beirut: A Tale of Two Cities, Alternative Museum, New York, NY (catalog)

1990 American Women Artists, Queensboro College Gallery, Bronxville, NY (catalog)

1989–90 American Women Artists: The 20th Century, Knoxville Museum of Art, Knoxville, TN, (invitational) (curated by Elsa Honig Fine) (catalog)

1989–90 The International Art Show to End World Hunger, Scottsdale Center for the Arts, Scottsdale, AZ (traveling)

1989–90 Alumni Exhibition (four drawings), Dinnerware Gallery, Tucson, AZ (catalog)

1989 Día de los Muertos II: Los Angelitos (Large Drawing), Alternative Museum, New York, NY

1989 The Toy Show (one doll), BACA Downtown, Brooklyn, NY

1989 Jayne H. Baum Gallery, New York, NY (gallery artists)

1989 EVIDENCE: Contemporary Narrative Painters of the Southwest (three large oil paintings), San Antonio Museum of Art, San Antonio, TX (catalog)

1989 Gallery Route One, Point Reyes, CA

1988 (Drawings), Central Arts Collective, Tucson, AZ

1987–88 Art Across America: Artists and Their Students (traveling exhibition to six states) (catalog)

1987 Gallery Artists, ACA Gallery, New York, NY

1987 Women Artists, The Tyrone Guthrie Centre at Annaghmakerrig, Newbliss, County Monaghan, Ireland

1987 Artistas En Residencia, Altos de Chavón, Galeria Principal, La Romana, Dominican Republic

1986 Arizona Biennial, Tucson Museum of Art, Tucson, AZ, Award of Distinction (juried exhibition)

1986 New Works from Sette (monoprints and lithographs), Lisa Sette Gallery, Scottsdale, AZ

1986 Arizona Artists, Gallery 500, Philadelphia, PA

1985 Dinnerware Exhibition, Mars Gallery, Phoenix, AZ

1984–82 Arizona Biennials: ’84 and ’82, Tucson Museum of Art, Tucson, AZ (Jurors: Ivan Karp and Richard Koshalek)

1983 Women Artists of the Southwest, Interart Gallery, New York, NY

1983 Meridian Gallery, Albuquerque, NM

1980–1989 (Seven exhibitions), Dinnerware Gallery, Tucson, AZ

1979 New Talent Exhibition, Marian Locks Gallery, Philadelphia, PA

1977–79 Contemporary Issues: Works on Paper by Women, Woman’s Building, Los Angeles, CA (invitational) (traveled to Sarah Blaffer Campbell Gallery, Houston, TX, and Utah Museum of Fine Arts, Salt Lake City, UT)

​

Doogan Writings

​

2016 “Skirts.” In M/E/A/N/I/N/G Online, “The Final Issue on a Year of Positive Thinking.” New York, 2016. Editors: Mira Schor and Susan Bee.

2016 “Fingered Smiles.” In M/E/A/N/I/N/G Online, “The Final Issue on a Year of Positive Thinking.” New York, 2016. Editors: Mira Schor and Susan Bee.

2011 “I Worry All the Time.” In M/E/A/N/I/N/G Online, 25th Anniversary Edition. New York, 2011. Editors: Mira Schor and Susan Bee.

2007 “Feminist Art: A Reassessment.” In M/E/A/N/I/N/G Online, no. 4. New York, 2007. Editors: Mira Schor and Susan Bee. 

2005 “Shameless Pleasure: Joanna Frueh, A Retrospective.” In Nevada Museum of Art Exhibition Catalog, 2005.

2001 “Obsessions” and “Logo Girls.” Art Journal (College Art Association), Spring 2001.

2001 “Logo Girls.” The Utne Reader, September/October 2001. (Reprint of essay about Morton Salt Girl).

1994 “Creativity and Community.” In M/E/A/N/I/N/G: Contemporary Art Issues, no. 15. New York, 1994. Editors: Mira Schor and Susan Bee.

1992 “Forum: On Motherhood, Art and Apple Pie.” In M/E/A/N/I/N/G: Contemporary Art Issues, no. 12. New York, 1992. Editors: Mira Schor and Susan Bee.

1991 “Over Time.” In M/E/A/N/I/N/G: Contemporary Art Issues, no. 10. New York, 1991. Editors: Mira Schor and Susan Bee.

 

Articles and Reviews

​

2022 Chesnick, Michael. “Remembering Peggy Doogan, Acclaimed Artist and Professor.” University of Arizona College of Fine Arts, School of Art, July 13, 2022. https://art.arizona.edu/remembering-peggy-doogan-acclaimed-artist-and-professor/.

2022 Burch, Cathalena E. “Tucson Artist Whose Works Addressed Aging Dies.” Arizona Daily Star, July 14, 2022.

2022 Regan, Margaret. “Beloved Tucson Artist Bailey Doogan Dies.” Tucson Weekly, August 11, 2022.

2020 Jyoti. “Bailey Doogan|American Artist|Portraits.” Fine Art and You (blog), July 08, 2020. Excerpted from American Artist, n.d. https://www.fineartandyou.com/2013/08/bailey-doogan-american-artist-portraits.html/.

2019 Kraft, Michelle. “Face to Face: A Look at Self Portraits Before Selfies in Lubbock.” Glasstire, August 7, 2019.

2013 Qian, Wendy. “Article on the Hand in Art Imagery and Two Large Drawings.” Art World Magazine, 2013.

2013 Regan, Margaret. “Shock and Spill at Etherton: Jimenez, Doogan and Simmons-Myers Launch Assaults on Convention in Provocative Figure Works.” Tucson Weekly, December 12, 2013.

2009 Baliani, Patrick. “Four Fingered Smile, Five-Fingered Grin: Face to Face with Bailey Doogan.” Tucson: University of Arizona Press, 2009.

2009 Simpson, Jeanmarie. “Bailey Doogan.” Buzzine, October 2009.

2009 Regan, Margaret. “Being Human: Three Virtuoso Artists Explore the Body in Their Works at Etherton Gallery.” Tucson Weekly, March 9, 2009.

2007 Genocchio, Benjamin. “Women’s Bodies as Art, Wrinkles and All.” The New York Times, July 8, 2007.

2007 U.S. Staff. “Art Review: Eccentric Bodies.” Princeton Info, June 26, 2007.

2006 Sussman Susser, Deborah. “Bailey Doogan at the Tucson Museum of Art and Etherton.” Art in America, April 2006.

2005 Regan, Margaret. “A Life Lived: Legendary UA Art Prof, Painter Bailey Doogan Takes a Look Back.” Tucson Weekly, December 1, 2005.

2005 Nilsen, Richard. “As Artist Evolves, Stark Intensity Replaces Cliché.” Arizona Republic, December 11, 2005.

2005 Garrard, Mary D. “Bailey Doogan and the Beauty of Truth.” In Bailey Doogan: Selected Works 1971–2005, edited by Julie Sasse, 96 pp. Tucson, AZ: Etherton Gallery, 2005.

2005 Lippard, Lucy R. “Body and Soul.” In Bailey Doogan: Selected Works 1971–2005, edited by Julie Sasse, 96 pp. Tucson, AZ: Etherton Gallery, 2005.

2005 Stevens, May. “No One Looks Closer.” In Bailey Doogan: Selected Works 1971–2005, edited by Julie Sasse, 96 pp. Tucson, AZ: Etherton Gallery, 2005.

2005 Frueh, Joanna. “Peggy Full of Wonder.” In Bailey Doogan: Selected Works 1971–2005, edited by Julie Sasse, 96 pp. Tucson, AZ: Etherton Gallery, 2005.

2005 Sasse, Julie. “A Conversation with Bailey Doogan.” Excerpted interview. In Bailey Doogan: Selected Works 1971–2005, edited by Julie Sasse, 96 pp. Tucson, AZ: Etherton Gallery, 2005.

2004 Sasse, Julie. “Examining/Bailey Doogan.” Shade, 2004.

2002 Frueh, Joanna. “The Pink of Revolution.” n. paradoxa: International Feminist Art Journal 10 (2002), London, UK.

2000 Frueh, Joanna. “Bailey Doogan at Etherton.” Art in America, April 2000.

2000 Steiner, Wendy. “Picturing the Modern Amazon.” The Nation, May 15, 2000.

2000 Kaplan, Janet. “Picturing The Modern Amazon.” Art Journal 59, no. 4 (Winter 2000).

1998 Solomon-Godeau, Abigail. “Signs of Age.” Art in America, July 1998.

1998 Regan, Margaret. “Review of Drawing Inspiration [Solo Exhibition at Tucson Museum of Art].” Tucson Weekly, October 1998.

1996 Dietrich, Linnea S. “Aging and Contemporary Art.” Journal of Aging and Identity. New York: Human Sciences Press, 1996.

1996 “Two Paintings Reproduced in Coverage of Alternative Museum Exhibition.” Harper’s Magazine, September 1996.

1996 Doogan, Bailey. “Meaning from A to Z: A Visual Forum.” M/E/A/N/I/N/G: Contemporary Art Issues, no. 15 (May 1996).

1994 Frueh, Joanna. “Art and Old Age: The Erotic as Social Security.” Art Journal 53, no. 1 (Spring 1994).

1993 Frueh, Joanna. “Women Artists Look at Aging.” The Creative Woman 13, no. 1 (Spring 1993). Cover art/article.

1993 Frueh, Joanna. “Aesthetic and Post-Menopausal Pleasures,” M/E/A/N/I/N/G: Contemporary Art Issues, (1996).

1992 Atkins, Robert. “Scene & Heard: Report on Censorship of Doogan Work.” The Village Voice (New York), June 17–23, 1992.

1992 Lloyd, Ann Wilson. “Report from Tucson: The New West.” Art in America, October 1992.

1992 Nemser, Cindy. “Arts: To Defy, Reveal and Heal.” Ms. Magazine 3, no. 3 (1992).

1991 Frank, Peter, ed. “Review: Etherton Exhibition by Joanna Frueh.” VISIONS (Los Angeles), 1991.

1991 Frueh, Joanna. “Over Time.” M/E/A/N/I/N/G: Contemporary Art Issues, no. 10, (1991).

1989 Raven, Arlene. “Review: Día de los Muertos II: Los Angelitos,” Alternative Museum, NY. The Village Voice, 1989.

1989 Schapiro, Miriam, and Faith Wilding, eds. “Cunts/Quilts/Consciousness.” Heresies 6, no. 4 (1989).

1988 Portwood, Pamela. “Review.” Artspace Southwestern Contemporary Arts Quarterly, Spring 1988.

1986–87 Portwood, Pamela. “Review: Colored Figures Exhibition.” Women Artists News 2, no. 5 (Winter 1986–87).

1986 Degener, Patricia. “Review: The Emblematic Woman, Margaret Bailey Doogan.” St. Louis Post-Dispatch, 1986.

1986 Frueh, Joanna. “Allegory of Women: Margaret Bailey Doogan.” Art Journal, February 1986.

1986 Portwood, Pamela. “Review: Colored Figures.” Artspace, Summer 1986.

1985 Frueh, Joanna. “Toward a Feminist Theory of Art Criticism I.” New Art Examiner, June 1985.

1985 Portwood, Pamela. “Review: Punch & Judy.” Artspace, Summer 1985.

1985 Reich, Sheldon. “Review: Punch & Judy Exhibition.” ARTnews, September 1985.

1985 Reich, Sheldon. “Margaret Bailey Doogan.” Woman’s Art Journal 6, no. 1 (Spring/Summer 1985).

1984 Frueh, Joanna. “Review: Articulate Exhibition.” Art in America, February 1984.

1984 Reich, Sheldon. “Review: Articulate Exhibition.” ARTWEEK, April 1984.

1980 “Arizona Artists.” ARTnews, December 1980.

1979 Cardinale, Robert. “Review: Aperture Exhibition.” Visual Dialog 4, no. 3 (1979).

1979 Santiago, Mary Stofflet. “Review: Contemporary Issues: Works on Paper by Women.” Visual Dialog 2, no. 3 (1979).

 

Books and Catalogs

​

2026 Appell, Felice, and Moira Doogan and Paula Taylor, eds. Luminous Bodies: The Art of Bailey Doogan. Tucson Arizona. 248 pp.

2018 Gardner, Stephen C. P. “Form—The Work of Art: Bailey Doogan.” In Gateways to Drawing: A Complete Guide, Chapter 10. New York: Thames & Hudson.

2014 Potter, Cynthia, and Steven Bupp, M.D. The Dark Thoughts Project. Includes reproduction of four paintings by Bailey Doogan. On the treatment of suicidality.

2010–2013 Baliani, Patrick. “Four-Fingered Smile, Five-Fingered Grin: Face to Face with Bailey Doogan.” In Writing Public Lives, 1st, 2nd, and 3rd eds. Tucson: University of Arizona Writing Program.

2010 Bernstein, Emma Bee, and Nona Willis Aronowitz, eds. Girl Drive: Crisscrossing America, Redefining Feminism.

2007 Eccentric Bodies: An Exhibition of Works by Artists with a Feminist Gaze. New Brunswick, NJ: Rutgers University Libraries.

2005 Sasse, Julie, ed. Bailey Doogan: Selected Works 1971–2005. Tucson, AZ: Etherton Gallery. 96 pp. Published in conjunction with retrospective exhibitions at the Tucson Museum of Art and Etherton Gallery.

2003 Brown, Clint, and Cheryl McLean. Drawing from Life, 3rd ed. Belmont, CA: Wadsworth Press. Includes RIB drawing by Bailey Doogan.

2000 Picturing the Modern Amazon. New York: Rizzoli and The New Museum of Contemporary Art.

1997–98 Signs of Age: Representing the Older Body. Santa Barbara, CA: Santa Barbara Contemporary Arts Forum. Exhibition catalog.

1997 Lippard, Lucy. “Parallaxis.” In Awards Catalog, National Endowment for the Arts and Western States Arts Federation (now Creative West). Includes Bailey Doogan.

1996 Frueh, Joanna. Erotic Faculties. Berkeley: University of California Press. Includes chapter with two drawings by Bailey Doogan.

1994 Art & the Law. Traveling exhibition catalog. Includes work by Bailey Doogan.

1993 Exquisite Corpse. New York: Drawing Center. Exhibition catalog.

1993 International Critic’s Choice. Mitchell Museum. Exhibition catalog.

1992 Frueh, Joanna. “Essay.” In Artists of Conscience II: Bailey Doogan, Tomie Arai, Ben Sakogura. Exhibition catalog.

1991–92 Rodriguez, Geno, curator. Artists of Conscience: 16 Years of Social and Political Commentary. New York: Alternative Museum. Exhibition catalog.

1991-92 Wadden, Mary Ann, curator. Original Sin. Brookville, NY: Hillwood Museum (now Steinberg Museum of Art at Hillwood Commons), Long Island University. Essay by Cassandra Langer.

1991 Frueh, Joanna, and Arlene Raven, eds. Art Journal 50, no. 2 (Summer): “Feminist Art Criticism.” College Art Association.

1990 Belfast/Beirut: A Tale of Two Cities. New York: Alternative Museum. Exhibition catalog.

1990 Dinnerware: The First Decade of an Alternative Art Space, 1979–1989. Tucson, AZ: Dinnerware Gallery. Exhibition catalog.

1989–90 American Women Artists: The 20th Century. Knoxville, TN: Knoxville Museum of Art. Exhibition catalog.

1989 Evidence: Contemporary Native Painters of the Southwest. San Antonio, TX: San Antonio Museum of Art. Exhibition catalog.

1989 Doogan, Bailey, ed. St. Lucy/Oedipus. Includes poetry, prose, and essays on vision, blindness, and sexuality. Published in conjunction with the St. Lucy/Oedipus exhibition. Grant supported.

1988 Art Across America: Artists and Their Students. Traveling exhibition catalog. Includes essay.

1979 Venice Biennale ’79. Includes animated film SCREW, A Technical Love Poem.

 

Media

​

2005 Lee, Soon Yun, producer. Arizona Illustrated. Interview re: Tucson Museum of Art retrospective. KUAT TV and PBS Television. Tucson, AZ.

1998 Epperson, Leslie, producer. Arizona Illustrated. Artist feature. KUAT TV and PBS Television. Tucson, AZ.

1992 Paine, Piera, producer/journalist. Artist Feature. WBAI Radio. New York, NY.

1988 Britton, Sheila, producer. Artist feature in ARTFORMS series KAET TV and PBS Television. Tempe, AZ.

1986 Unbitten Tongue Productions. Seeing to the Bone: The Art of Margaret Bailey Doogan. Video documentary. Produced by Pamela Portwood and Mark Taylor. Tucson, AZ: 1986. https://www.youtube.com/watch?v=Kt2922wPK-M&rco=1/.

1985 White, Pam, producer. Arizona Illustrated. Artist feature. KUAT TV and PBS Television. Tucson, AZ.

1985 Brown, Judith, host. Topic of Tucson. Artist feature. KGUN TV. Tucson, AZ.

 

Awards and Grants

​

2011 Best of Arizona: Artists. Named one of five top artists by the Arizona Daily Star and Tucson.com. https://tucson.com/special-section/az-at-100/best-of-az/article_acf290f2-951d-5d06-adae-a0988a3faea8.html/.

2009 Joan Mitchell Painting and Sculpture Award. Joan Mitchell Foundation, New York, NY. National award for excellence in painting.

1999 Grant recipient, Thanks Be To Grandmother Winifred Foundation. Support for Eccentric Bodies exhibition at Rutgers University. Wainscott, NY.

1996 Arizona Arts Award. Tucson Community Foundation, Tucson, AZ.

1996 Visual Arts Fellowship in Painting. National Endowment for the Arts and Western States Arts Federation (WESTAF, now Creative West).

1996 James Anthony Teaching Award for Sustained Excellence. University of Arizona, Tucson, AZ.

1995 Arizona Visual Arts Fellowship Award: Painting. Arizona Commission on the Arts, Phoenix, AZ.

1992 Faculty of Fine Arts Excellence in Teaching Award. University of Arizona, Tucson, AZ.

1990 College of Fine Arts Incentive Grant. University of Arizona, for Memories: Past and Present exhibition, Tucson, AZ.

1989 Visual Artist Fellowship. Tucson Pima Arts Council, Tucson, AZ.

1989 Research and production grant for St. Lucy/Oedipus exhibition, book, and video. University of Arizona Foundation and Office of the Vice President for Research, Tucson, AZ.

1988 Grant recipient, Contemporary Forum of the Phoenix Art Museum, Phoenix, AZ.

1986 Award of Distinction. Arizona Biennial, Tucson Museum of Art, Tucson, AZ.

1983 Travel Assistance Grant. University of Arizona Humanities Grant Program, Tucson, AZ, for Articulate project.

1983 Support grant, Gannett Foundation, McLean, VA, for Articulate project.

1982 Women on the Move Award for Achievement in the Arts. YWCA, Tucson, AZ.

1979 Juror’s Cash Award. Aperture exhibition, Women’s Caucus for Art.

1979 Cinema Guild Award. Ann Arbor Film Festival, for animated film SCREW: A Technical Love Poem, Ann Arbor, MI.

1977 Third Place Award. Poetry Film Festival, for SCREW: A Technical Love Poem, San Francisco, CA.

Film Festivals

​

Animated Film: SCREW, A Technical Love Poem

Distributor: PICTURESTART, Champaign, IL.

1983 Cambridge Animation Festival, Cambridge, England.

1980 International Festival of Women’s Films, Copenhagen, Denmark.

1979 The 20th Annual Adelaide International Film Festival, Adelaide, Australia.

1979 Mostra Internazionale del Cinema, Venice Biennale, Venice, Italy.

1979 Women Artists Filmmakers Festival, Global Village, New York, NY.

1979 Ann Arbor Film Festival, Cinema Guild Award for SCREW: A Technical Love Poem (based on a poem by Diane Wakoski), Ann Arbor, MI.

1979 The American Film Festival, New York, NY.

1979 5th Annual Center Screen’s Animation Series, Harvard Film Study Center, Cambridge, MA.

1979 The Hirshhorn Museum, Washington, D.C.

1978 Midwest Seminar on Video and Film, Chicago, IL.

1978 Bumbershoot Film Festival, Seattle, WA.

1978 Filmmakers Exposition Festival, The Brooklyn Museum, Brooklyn, NY.

1977 East/West Festival of Women’s Films, Arizona State University, Tempe, AZ.

1977 Science Fiction Film Festival, Film Forum, New York, NY.

1977 Experimental Film Festival, Nyon, Switzerland.

1977 Concupiscent Film Festival, International Tournée of Animation.

1977 Poetry Film Festival, Third Place Award for SCREW: A Technical Love Poem, San Francisco, CA.

 

Residencies and Fellowships

​

2003 McColl Center for Visual Art, Charlotte, NC. Residency, January–March.

2000 Montalvo Arts Center, Saratoga, CA. Residency, July–September.

1989 Virginia Center for the Creative Arts, Amherst, VA. Residency, September–October. Affiliate: Sweet Briar College.

1987 The Tyrone Guthrie Centre at Annaghmakerrig, Newbliss, County Monaghan, Ireland. Residency, June–July.

1987 Altos de Chavón, Dominican Republic. Residency, February–May. Affiliate: Parsons School of Art.

 

Lectures, Workshops and Presentations

​

2013 Arizona State University, Tempe, AZ. Hans Burkhart Visiting Professor. Lecture and student critiques.

2006 New Mexico State University, Las Cruces, NM. Visiting artist lecture and workshop.

2006 University of Idaho, Moscow, ID. Weeklong visiting professor. Lecture and critiques.

2004 University of Nevada, Las Vegas, NV. Visiting professor and artist-in-residence. March.

2003 Wayne State University, Detroit, MI. Public lecture and graduate review panels. November.

2003 University of North Carolina, Charlotte, NC. Visiting artist, spring semester. Co-sponsored by McColl Center.

2001 University of Nevada, Reno, NV. Public lecture and classroom discussion, “Vision and Censorship.” February.

2000 University of North Carolina, Charlotte, NC. Public lecture and student critiques. October.

2000 San Jose State University, San Jose, CA. Visiting artist lecture, workshop, and critiques. September.

2000 Arizona State University, Tempe, AZ. Visiting artist lecture and critiques. April.

2000 College Art Association Annual Conference, New York, NY. Panelist, “Repositioning the Nude.” Chaired by Joan Semmel. February.

2000 Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ. Visiting artist lecture and critiques. February.

1998 Anderson Ranch Arts Center, Aspen, CO. “The Exquisite Image.” Weeklong workshop. August.

1998 College Art Association Annual Conference, Toronto, Canada. Panel Chair, “Censorship: For Shame.” February.

1997 University of Nevada, Las Vegas, NV. Lecture and student critiques. February.

1996 Pima Community College, Tucson, AZ. Public lecture. November.

1996 University of Texas, El Paso, TX. Public lecture. January.

1995 University of Tennessee, Knoxville, TN. Public lecture and critiques. October.

1995 Anderson Ranch Arts Center, Aspen, CO. “Painting the Self-Image.” Weeklong workshop. June.

1994 University of Montana, Missoula, MT. Lecture and critiques. October.

1994 Cranbrook Academy of Art, Bloomfield Hills, MI. Getty Advanced Professional Seminar. Lectures, curriculum development, and instructional coordination. July.

1994 Arizona State University, Tempe, AZ. Visiting professor, including lecture and critiques. February–March.

1993 University of Nevada, Reno, NV. Public lecture and juror for student exhibition. April.

1993 Connecticut College, New London, CT. Weissman Visiting Artist. Public lecture, master’s class, and critiques.

1992 University of Nevada, Reno, NV. Slide lecture. September.

1992 University of Nevada, Las Vegas, NV. Slide lecture. November.

1992 New Mexico State University, Las Cruces, NM. Slide lecture and workshop.

1991 School of Visual Arts, New York, NY. Slide lecture in May Stevens’ “Art and Politics” class. November.

1991 University of Nevada, Las Vegas, NV. Visiting artist series: “Woman, Water, and Metaphor.”

1991 University of New Mexico, Albuquerque, NM. Visiting artist series: “Toward a Shared Humanity.” Lecture and critiques.

1990 Arizona State University, Tempe, AZ. Visiting artist series and slide lecture.

1990 Scottsdale Center for the Arts, Scottsdale, AZ. Featured artist lecture.

1990 Dinnerware Artists’ Cooperative Gallery, Tucson, AZ. Slide lecture. January.

1990 Scottsdale Center for the Arts, Scottsdale, AZ. Slide lecture. January.

1989 Virginia Center for the Creative Arts, Amherst, VA. Slide lecture. October.

1988 Tucson Museum of Art, Tucson, AZ. Slide lecture: “Contemporary Women Artists.”

1988 Womankraft Gallery, Tucson, AZ. Slide lecture. October.

1988 University of Arizona Museum of Art, Tucson, AZ. Lecture: “The Kress Collection of Renaissance Painting.”

1988 Pensacola College, Pensacola, FL. Slide lecture and three-day workshop. February.

1986 University of Missouri, St. Louis, MO. Slide lecture.

1985 Women’s Video Competition. National juror, Women’s Cable Consortium.

1983–1985 Arizona Commission on the Arts, Tucson, AZ. Juror and panelist: Film and Video, Arts Design Roster, and Design/Arts categories.

1984 Tucson Museum of Art, Tucson, AZ. Slide lecture.

1984 University of Idaho, Moscow, ID. Slide lecture.

1983 Fresno Art Museum, Fresno, CA. Slide lecture.

 

Academic

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1999–2022 Professor Emerita, Painting and Drawing, University of Arizona, Tucson, AZ.

1982–1999 Professor, Painting and Drawing, University of Arizona, Tucson, AZ.

1992 Visiting Professor, Painting and Drawing, Department of Art, University of Nevada, Las Vegas, NV. Fall semester.

1997–2001 Board Director, College Art Association.